Aleksandar Nesic is a mixed media artist active in the fields of performance, music and visual art. 2006 he founded the artist group zenit&nadir. He has been a member of the artist collective Bomb Gallery sine 2013. His electronic live set and solo project Poison In Honey exists since 2015. 2003 - 2010 the artist studies graphic, performance and video art at the Academy of Fine Arts in Stuttgart. From 2006 - 2011 he was one of the founding members of the visual sound performance group zenit&nadir. During this time there was a close partnership between the gallery fluctuating images and zenit&nadir. On behalf of this gallery the group participated in screenings, performances and in 2007 the series of events called „exploring party – Party als Kunst“ at the Württembergischer Kunstverein in Stuttgart. In 2009 zenit&nadir exhibited a stage production called „contain - Leben in 33m³“ which premiered at the Theaterhaus in Stuttgart, formerly a warehouse for steel in which a container village for asylum seekers was installed during the Balkan Civil War, which was then the basis of the theme for the piece.
Nesic performed in many other contexts as a musician and has an acting background in the play „Assassinate Assange“ by Angela Richter at Hebel am Ufer in Berlin or as a live drummer for the band „chicks on speed“ at the National Theater in Mannheim. Furthermore he appeared as a performing artist in 2015 at „Asia Contemporary Art Platform - NON Berlin“ with his piece „ALEKS RAUS TAG / The de-artification of Art / Die Entkunstung der Kunst“. Bubble wrap an other pricey packaging materials, which were once used to wrap world-famous artists´ works at big galleries and museums were auctioned to the audience during the performance.
Poison in Honey electric live set is drums/percussion, electronics, vocal improvisation, noise and field recordings. His recorded and live music explores the interaction of the figurative and the abstract, the mechanic and the organic, the sensual and the brutal. He records and treats sounds to recreate (visually narrative) landscapes, and experiments with many genre derives in the process.
Aleksandar Nesic is a mixed media artist active in the fields of performance, music and visual art. 2006 he founded the artist group zenit&nadir. He has been a member of the artist collective Bomb Gallery sine 2013. His electronic live set and solo project Poison In Honey exists since 2015. 2003 - 2010 the artist studies graphic, performance and video art at the Academy of Fine Arts in Stuttgart. From 2006 - 2011 he was one of the founding members of the visual sound performance group zenit&nadir. During this time there was a close partnership between the gallery fluctuating images and zenit&nadir. On behalf of this gallery the group participated in screenings, performances and in 2007 the series of events called „exploring party – Party als Kunst“ at the Württembergischer Kunstverein in Stuttgart. In 2009 zenit&nadir exhibited a stage production called „contain - Leben in 33m³“ which premiered at the Theaterhaus in Stuttgart, formerly a warehouse for steel in which a container village for asylum seekers was installed during the Balkan Civil War, which was then the basis of the theme for the piece.
Nesic performed in many other contexts as a musician and has an acting background in the play „Assassinate Assange“ by Angela Richter at Hebel am Ufer in Berlin or as a live drummer for the band „chicks on speed“ at the National Theater in Mannheim. Furthermore he appeared as a performing artist in 2015 at „Asia Contemporary Art Platform - NON Berlin“ with his piece „ALEKS RAUS TAG / The de-artification of Art / Die Entkunstung der Kunst“. Bubble wrap an other pricey packaging materials, which were once used to wrap world-famous artists´ works at big galleries and museums were auctioned to the audience during the performance.
Poison in Honey electric live set is drums/percussion, electronics, vocal improvisation, noise and field recordings. His recorded and live music explores the interaction of the figurative and the abstract, the mechanic and the organic, the sensual and the brutal. He records and treats sounds to recreate (visually narrative) landscapes, and experiments with many genre derives in the process.
Aleksandar Nesic is a mixed media artist active in the fields of performance, music and visual art. 2006 he founded the artist group zenit&nadir. He has been a member of the artist collective Bomb Gallery sine 2013. His electronic live set and solo project Poison In Honey exists since 2015. 2003 - 2010 the artist studies graphic, performance and video art at the Academy of Fine Arts in Stuttgart. From 2006 - 2011 he was one of the founding members of the visual sound performance group zenit&nadir. During this time there was a close partnership between the gallery fluctuating images and zenit&nadir. On behalf of this gallery the group participated in screenings, performances and in 2007 the series of events called „exploring party – Party als Kunst“ at the Württembergischer Kunstverein in Stuttgart. In 2009 zenit&nadir exhibited a stage production called „contain - Leben in 33m³“ which premiered at the Theaterhaus in Stuttgart, formerly a warehouse for steel in which a container village for asylum seekers was installed during the Balkan Civil War, which was then the basis of the theme for the piece.
Nesic performed in many other contexts as a musician and has an acting background in the play „Assassinate Assange“ by Angela Richter at Hebel am Ufer in Berlin or as a live drummer for the band „chicks on speed“ at the National Theater in Mannheim. Furthermore he appeared as a performing artist in 2015 at „Asia Contemporary Art Platform - NON Berlin“ with his piece „ALEKS RAUS TAG / The de-artification of Art / Die Entkunstung der Kunst“. Bubble wrap an other pricey packaging materials, which were once used to wrap world-famous artists´ works at big galleries and museums were auctioned to the audience during the performance.
Poison in Honey electric live set is drums/percussion, electronics, vocal improvisation, noise and field recordings. His recorded and live music explores the interaction of the figurative and the abstract, the mechanic and the organic, the sensual and the brutal. He records and treats sounds to recreate (visually narrative) landscapes, and experiments with many genre derives in the process.
ALEKSANDAR NESIC
Bomb Gallery 2013 - 2015
Bomb Gallery is the deconstruction of the stereo-typical structure which marks existing exhibition spaces and models. Geographically distant as well as conceptually different from all existing private galleries, commercial art fairs, institutions and museums, Bomb Gallery will strive to promote the idea of a free, non-located art space with a selection of artists from all over the word. The city and the gallery will co-exist next to each other and become increasingly con ated. Any place can turn into a site for installations, fl performances and actions. In the future, it is conceivable that many other cities could open art spaces emulating the model of Bomb Gallery. It is important to stress that Bomb Gallery is explicitly not intended to be a usual artist-run gallery. Our artwork is Bomb Gallery itself, a dynamic, innovative social sculpture meshed into its urban surrounding.
The starting point of Bomb Gallery was a bombed-out building in the city center of Mostar (Bosnia-Herzogovina). It took place over two weeks in July 2014 affecting and influencing the city of Mostar, which has remained culturally, politically and socially divided since the change of political regime in the region. With daily art raids “Bomb gallery” intends to prepare the ground for the rise of a contemporary art scene in the Balkans and invite international collaboration. An experimental art space has been rised from the rubble of a bombed-out building in the center of the city. The permeable structure of the shell-shocked building lends itself to the interaction between interior and exterior.
BOMB GALLERY PREVIEW SHOW 2013 Festival Summer 2014 Mostar Bosnia-Herzegovina Opening Friday 13th of July @ GALERIE AXEL OBIGER, Berlin
BOMB GALLERY PREVIEW SHOW 2013 Festival Summer 2014 Mostar Bosnia-Herzegovina Opening Friday 13th of July @ GALERIE AXEL OBIGER, Berlin
BOMB GALLERY PREVIEW SHOW 2013 Festival Summer 2014 Mostar Bosnia-Herzegovina Opening Friday 13th of July @ GALERIE AXEL OBIGER, Berlin
Christiane Countess zu Rantzau of Christie’s Germany presented the auction including works of Daniel Richter Tal R Christian Jankowski @ Wiensowski & Harbord, Berlin, 2014
Christiane Countess zu Rantzau of Christie’s Germany presented the auction including works of Daniel Richter Tal R Christian Jankowski @ Wiensowski & Harbord, Berlin, 2014
Christiane Countess zu Rantzau of Christie’s Germany presented the auction including works of Daniel Richter Tal R Christian Jankowski @ Wiensowski & Harbord, Berlin, 2014
Christiane Countess zu Rantzau of Christie’s Germany presented the auction including works of Daniel Richter Tal R Christian Jankowski @ Wiensowski & Harbord, Berlin, 2014
The gallery space in Mostar, Bosnia-Herzegovina, 2014
The gallery space in Mostar, Bosnia-Herzegovina, 2014
The gallery space in Mostar, Bosnia-Herzegovina, 2014
The gallery space in Mostar, Bosnia-Herzegovina, 2014
Rock with elements of Electronic-Music, Avantgarde and Folk with german lyrics. Mostar, Bosnia-Herzegovina, 2014
Rock with elements of Electronic-Music, Avantgarde and Folk with german lyrics. Mostar, Bosnia-Herzegovina, 2014
Space is my Canvas (La Linge)” (Work in Progress), 2010-2014. Mostar, Bosnia-Herzegovina, 2014
Space is my Canvas (La Linge)” (Work in Progress), 2010-2014. Mostar, Bosnia-Herzegovina, 2014
“Scherben Mantra” Video and photo pieces working with shards and burning. Reflections from the Syrian artist about erosion and resistance. Mostar, Bosnia-Herzegovina, 2014
Melanie Hübner Monolith Sculpture, refering to Stanley Kubricks „ 2001: A Space Odyssey”. Mostar, Bosnia-Herzegovina, 2014
Sandrine Nogueira “STEIN” is an experimental performative reflection about relation, influences and similarities between stone and men. Mostar, Bosnia-Herzegovina, 2014
Renata Papišta
Electronic, Experimental Music from Venice. This sonic event moves from Stockhausen’s Intuitive Music, general axiom assumed by the ensemble, and Meyer-Eppler’s Aleatoric process. Mostar, Bosnia-Herzegovina, 2014
Mario Šunjić Work between painting and assemblage using unconventional materials like medical technological substitutes.
Dženita Huseinović In the provocative Installation “Šutim – ćutim” (I say nothing) Dženita visualizes the political, social and economic situation in Bosnia-Herzegovina, 2014
Art Radionica Lazareti, Dubrovnik, Croatia 2015
Art Radionica Lazareti, Dubrovnik, Croatia 2015
Art Radionica Lazareti, Dubrovnik, Croatia 2015
Art Radionica Lazareti, Dubrovnik, Croatia 2015
Art Radionica Lazareti, Dubrovnik, Croatia 2015
Art Radionica Lazareti, Dubrovnik, Croatia 2015
„Sculptur installation, No.8“ Marijana V. Pende @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
„Sculptur installation, No.8“ Marijana V. Pende @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
Yassemeqk Collective (A wide range of mediums will be represented) @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
Yassemeqk Collective (A wide range of mediums will be represented) @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
„STEIN“ Sandrine Nogueira is an experimental performative reflection about stone and men @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
„Border Line“ Izvor Pende and Lina Franko @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
„Border Line“ Izvor Pende and Lina Franko @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015
“The Embroidered House” & The Presentation of the trekking tour from Mostar to Sarajevo (curated by Terre Ballerine) Maria Chiara Calvani @ Art Radionica Lazareti, Dubrovnik, Croatia, 2015